Cassette Tape Destruction
aka Extreme tape manipulation!
Edison made the light bulb. Michael made the "". Either way, you win.
Make sure the tape stays within the shell at all times. You want it firm, but not so tight that it breaks.
The tape can easily flip, which is bad, and will be very hard to repair (see side bar to the left because it is probably still useable). Work slowly and stay focused.
Experience "the Difficult Listening Channel" podcast where the sounds in my head become the sounds in yours.
Make it your new friend. The amazing audio cassette. Symbol of the '80s. Simple, portable, recordable, fun. It's a dead format now (just about anyway), replaced by the CD-R and mp3, but that doesn't mean we can't still put it to good use.
Before we begin, this is an audio example of extreme tape destruction at it's finest tapedest03.mp3
Here's what went into making the above recording:
- record audio onto the cassette (in this case a 4 track recorder was used); audio used was ambience from a store and circuit bent instruments.
- use 6 complete passes of tape destruction (see below for how to do this)
- erase all 4 tracks on the tape
- 2 more passes of tape destruction
- enjoy the results :-)
You should now be hearing a garbled mess. Tiny amounts of the original recording remain, but with a twist. This is because the tape has been stretched, particles have been lost, it's crinkled which causes parts of the tape to lose contact with the heads, while others drag across too much. Wow and flutter is greatly exaggerated. All of this happens as the tape is played - which may cause premature aging to your cassette player (see disclaimer below).
|Disclaimer: Tape destruction is easy and fun. However, it does take a bit of skill, patience and practice to make it work correctly. Playing damaged cassettes may cause premature wear and tear on your tape machines. Oh, and you'll render your cassettes unusable for normal things afterward. So, be prepared to break things. If you have questions or comments, please email me: firstname.lastname@example.org|
- the studio
- BIO - credits
- tape to CD
- gear reviews
- tape destruction
- field recording
- microphone tips
- record a fart
- Sound Effects
- Concept:FX vol. 1
- Concept:FX Pro Bundle
- Night Sounds
- better, stronger...
- Dying Hurricane
- free sounds!
- used gear for sale
- links page
- contact page
A Quick Primer. Cassette tapes make great effects. Prone to distortion, dropouts, and hiss, and offering a limited bandwidth, they can really mess up a good signal all by themselves. But what happens when you record something to a perfectly good tape and then damage that very tape? Well, the "messed up" signal gets way more "messed up".
A Unique Combination of Effects: Damaging and destroying your cassettes will greatly increase all of the wonderful characteristics that tape already offers such as: wow and flutter (a kind of garbling sound from speed changes from the stretched and wrinkled tape), distortion, dropouts (big time - and oh, so unpredictable) from the magnetized particles loosened, loss of frequency (variable - depending on the amount of damage) mostly in the high end, loss of volume (related to dropouts except that it lasts for much longer), a lovely 'crunch', and more freaky stuff! Because of the unpredictable and random nature of damaging a physical medium (tape) it's probably impossible to accurately "model" these effects using digital means (DSP).
Audio examples of tape destruction in action:
Here is a dry recording of a Roland TR-606 drum machine direct to cassette to give you a basic idea.
the original recording to cassette without processing
same recording with a single 'pass' of damage
recording with second 'pass' of damage, plus reduction of low end frequencies to compensate for high end loss.
Let's get started destroying some tape! You'll need a few things: one cassette tape - shorter lengths work better (more on why in a minute), a medium sized paper clip, a pair of tweezers or something to use to shuttle the tape. Note below how the paper clip is slightly bent. This makes it easier to run the tape through it. If you can't swipe a pair of tweezers from your wife (like I did), then use a pencil or something similar that will fit in the sprokets of the tape and that you can comfortably use to wind the tape and keep tension.
Shorter length cassettes work much better. If you can grab 5 - 10 minute cassettes, that's your best bet. I've done it with 60 minute tapes (and I love TDK D-60s), but by only using a minute or so near the beginning. Why? Here's why: as the tape is damaged it becomes crinkled and won't lay flat when you wind it back. A few minutes worth of crinkled tape will stack and can jam within the cassette shell rendering your new project useless.
You've got your tools and now you're ready to record. Using a standard cassette deck or 4 track, record something (music, drum loops, vocals, guitars, synths, entire mixes, whatever). DO NOT USE NOISE REDUCTION we want all the high end that we can keep. When you're done recording, rewind the tape to the beginning and take it out of the recorder.
Pull a small section of the tape leader out, make sure it does not flip. Thread the paper clip around the loop until the tape is inside of the clip (that's why the paper clip in the picture above has been slightly bent to offset itself).
|Advanced Tape Destruction.
So, you've screwed up your tape - broke it, trashed the shell, whatever.... Don't worry! All it takes is a reel to reel machine. One that you can get at the tape path pretty easily. You don't even need the reels and the tape machine doesn't even have to work well. You can pick one up on ebay or a flea market for next to nothing. Just make sure the machine powers up and that the capstan (the thin round metal "rod" that turns is turning).
Even loose tape will work. Feed the tape through the tape path of the machine making sure that it contacts the heads. Hit PLAY, the capstan and pinch roller should "grab" your tape and begin to pull it. If the tape is in contact with the play head, you'll know because you'll hear it. I've done this with cassette tape (even battered and torn up tape) micro cassette, and 1/4" tape all on the same machine. I'll put up audio samples and pictures soon.
Why I like 4 track recorders for tape destruction.
Standard cassette recorders work great for tape destruction. But why stop with stereo when we can have 4 tracks. If you don't have access to a cassette 4 track recorder, grab one from a friend or surf eBay for a deal.
I was able to get a Tascam Porta Two on eBay for $75 that works great.
4 tracks mean that you can add more layers of audio or play the tape backwards. Since the tape is damaged, it may not properly align with the tracks it was originally recorded to. You'll get some bleed that may not be reproduced by a stereo cassette player.
Be careful with old tape.
So you've scored a nice collection of cassettes that date back to the early '80s. They look like they've had hundreds of abusive plays and spent many a day in a scorching hot car. Great. But be careful. All of that 'natural aging' will make the tapes brittle and very delicate - so be very gentle when you 'process' your old cassettes.
Experiment, have fun, and enjoy.
Once you've damaged all of your musical selection, rewind the tape and play it back. If that's not enough destruction for your tastes, then try the process again from the beginning. You'll have to be even more careful at this point because the tape is even weaker and more prone to flipping or breaking.
You can use prerecorded tapes (they're great to practice with), but remeber that copyright laws are still in effect and you could be liable if you decide to use someone elses samples.
Any questions or comments? Email me: email@example.com
F7 Sound and Vision's Michael Oster has recorded music, thunderstorms, F-18s, wild animals, kitchen utensils, celebrities, strange insects... He also makes the coffee and takes out the trash.
No instrument is safe. No toy left unbroken! Back to the main circuitbending page
|Million Dollar Upgrade - FREE!!
Improve your production skills without spending anything on new gear....
|It's a new decade and Michael rings it in with a whole new level of synthesis sound design. The evolution continues.|
Contact F7 Sound and Vision!
This site is designed and maintained by F7 Sound and Vision.
Copyright © 2013 Michael I. Oster. All rights reserved.
F7 Sound and Vision
17732 Nathan's Drive
Tampa, Florida 33647
"Difficult Listening Channel - 142 - A Beautiful Disintegration or: How I Destroyed Your Prized Cassettes and Became Huge in Japan." Another one of my Reaktor creations. This time its and audio processor meant to disintegrate whatever goes in. Sounds kind of like a ruined tape with a little extra.
show release date 10-21-2010
Download - mp3
mp3 audio sample: